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6841 S. Bennett Avenue, Chicago, Illinois 60649 #260Z

6841 S. Bennett Avenue, Chicago, Illinois 60649.

Jackson Park Highlands

This article is about my childhood home on Bennett Avenue #260Z in the Jackson Park Highlands, Chicago. Written by artist Stephen F. Condren, BFA-SAIC, of Condren Galleries, a Fine Arts Gallery. I was raised up as a child at our lovely and gracious home at 6841 S. Bennet Avenue, Chicago, Illinois 60649. Our home was and still is, located in the Jackson Park Highlands. The Jackson Park Highlands is an landmark estate neighborhood on the south side of Chicago, and is the step child of mansion district of Kenwood.

History

The house was built in 1913 next door to one of the developers of the Highlands, Mr. Roberts. The house is just under 5,000 square feet and has 5 bedrooms and 5 bathrooms. The exterior dimensions are 45 feet wide and 75 feet long.

Interior

All of the rooms are enormous which included a morning room, which was in the front of the house. Access to the morning room was through the living room then through the dining room. Morning rooms are always adjacent the dining room for kitchen services. Of course, next to the dining room was the butler’s pantry for all the china and table settings. Past the butler’s pantry was a large kitchen with very ample pantry. Going straight through the kitchen you entered the game room. This was a very large room designed to hold a pool table and card tables. This room has a direct access to the back inner porch that lead to the garage and back yard.

The living and dining room were separated by a large set of sliding glass doors. The entrance to the house from the street was on the south side of the house and was a small suite off of the central block of the structure. Upon entering the suite you were in the marble vestibule, and looking to the left were three large encased glass panels, the first being the door to the entrance hall.

The entrance hall was vast and straight ahead was a grand wooden staircase. As you entered the hall to the right with the library and to the left was the living room. All of the room throughout the house was done in the finest mahogany wood. Two large massive beams wrought across the ceilings of the entrance hall, the living room, and the dining room. These beams were joined to very thick wooden moldings that encased the ceiling and mounted it to the walls. The fireplace in the living room was a massive wood structure.

Lots

When then house was built back in 1913, when the Jackson Park Highlands was developed, all the homes were designed with garden lots. That meaning that each home had a separate lost next to it for privacy. In some cases homes had two or more such lots. Mrs. Roberts house has seven city lots and is the largest in all the Highlands! Mrs. Roberts home is dead center in the Highlands as this was the home of the builder. Having a place at the center was the most prestigious because you were far from the perimeter of the neighborhood and thus most quiet. Our home was right next door and dead center as well.

Just after the First World War, our garden lot was sold off and a home had been built on it, this was the home of the Lemonthal’s. The Howett’s, Michael Howlett,  Secretary of State, who live four doors down from us had a garden lot on each side of their home. I was a classmate of Robert Howlett at St. Philip Neri, As the Howlett’s and my parents were old family friends. My grand parents, Dr. & Mrs. Francis Leo Condren stood up at their wedding.

South Side

  • Prairie Avenue
  • Kenwood
  • Hyde Park
  • Jackson Park Highlands
  • Beverly

The south side of Chicago is the best planned and designed part of Chicago. Grandeur was always the tone of any development of the south side of Chicago. Only in the south side are there grand boulevards and parkways. It is only in the south side that you have center park trolley lines.

The growth and development of a city the size and scale of Chicago is very complicated in imbued with ambiguities. It is my task here to highlight upper strata communities of the south side of Chicago, and more particularly, to focus on the dwellings in these communities. Side commentaries on expected social behavior given at appropriate times.

Prairie Avenue

The community of south Prairie Avenue is where the history of high society in Chicago starts. However, it should be noted that this was not the first area of “upper crust”. Downtown Michigan Avenue and Wabash Avenue were the very first areas of fine home construction. However, these areas were not developed as a community as we think of at later times. These homes were mixed in between all sorts of sites, from taverns and shops, to book shops and barbers. The development of segregated communities for “better living” start on the south side with Prairie Avenue, and later with Potter Palmer on the near north side, on Belleview and Lake Shore Drive.

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Die Fledermaus #259Z, At The MAC

Die Fledermaus, Symphony Orchestra, aria, songs, audience, people.

Die Fledermaus #259Z is a post on the operetta Die Fledermaus (the bat) is written by artist Stephen F. Condren, BFA-SAIC. Sunday afternoon, January 27, 2019 I had the pleasure to hear a wonderful performance of Die Fledermaus. The operetta was under the masterful baton of maestro Kirk Muspratt. The New Philharmonic Symphony Orchestra was outstanding. The audience was filled with people that know and love opera. The MAC gives us this performance that is filled with arias and love songs ~ this is a winner!

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Die Fledermaus

  • The Bat

This lively and light hearted comic operetta, Die Fledermaus, “The Bat”, by Johann Strauss was admirably performed at the MAC at the College of DuPage. Most importantly, the music that Kirk Muspratt conducted with the New Philharmonic Orchestra was outstanding. Lead opera singers in this outstanding performance were as follows. Katherine Weber, Mikaela Schneider, Jesse Donner, Matthew Greenblatt, Sam Handley, Brittany Hebel, James Judd, Ashley Sipka, and Aaron Wardell. The lovely songs that they delivered will be remembered for a long time.

Because this music is so familiar to opera goers the world over it gives us joy to hear it live on the stage. For me the waltz is the most delightful orchestral piece in the operetta. Therefore, that does not mean that there as no other good music, for sure, the voices of these stars just carried us all away.

I was very pleased with the spontaneity of the musicians to all the lines. There is no prompter on this stage so all the details have to be worked out well ahead of the performance.

Orchestra

  • Symphony

Because of the solid preparation that the New Philharmonic orchestra puts into each symphony performance at the highest quality music. Conducted by Kirk Muspratt the orchestra is at it’s best. The musicians were sharp and clear and you could hear everything. This is complemented by the excellent acoustics at the MAC theater. Maestro Muspratt displayed is outstanding knowledge of Strauss’s masterpiece and delivered to us the best performance eve

Arias

  • Songs

The arias delivered to us by the vocalists were songs to the delight of everyone. Because the voices were complimented by the excellent props and lighting of the MAC, the performance went smoothly. It is amazing how well the voices of the soloists come to life when they are complimented with quality stage sets and lighting.

The beautiful tones of all the artist resonated within me, I only wish that the opera was longer. The arias just followed one after the other and in good form. Each of the soloists accurately follow the notes of the music with tempi of the maestro.

Because we had good seats I could see and hear everything. The theater is a nice size so that no matter where you sit you have a good view. I was seated on the center aisle to the left center of the stage.

Die Fledermaus at The MAC at College of DuPage.
Die Fledermaus At The MAC At College Of DuPage

Audience

  • People

Because the audience was filled with people that know and understand opera, they were delight to be presented such a fine performance. I attended this performance with my dear friends Sandra Ganakos and Robert C. Marks. Because Mr. Marks is an ardent supporter of opera and a major donor to Lyric Opera of Chicago he was pleased to appear in support the cast. Mr. Marks sits on the Ryan Opera Center Board and is a sponsor of Jesse Donner (Eisenstein).

Most importantly, The College of DuPage, is making possible a venue for local residence to participate is great opera. Therefore, the more exposure to high quality opera leads to high quality living. I am honored to have done my undergraduate studies here at the College of DuPage.

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Die Fledermaus, Symphony Orchestra, aria, songs, audience, people.